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\r\n Seul Richard<\/a>\r\n <\/div>\r\n
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Design et ing\u00e9nierie de l’installation de Thierry Fournier, Le Fresnoy, Tourcoing 2018<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Heterotopia<\/a>\r\n <\/div>\r\n
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Ing\u00e9nierie et r\u00e9gie, exposition personnelle de Thierry Fournier au Mus\u00e9e d\u2019art et d\u2019histoire, Saint-Denis 2017<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n 0 Response<\/a>\r\n <\/div>\r\n
\r\n Fen\u00eatre augment\u00e9e<\/a>\r\n <\/div>\r\n
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Collaboration artistique, ing\u00e9nierie et r\u00e9gie pour le dispositif et expositions commissari\u00e9es par Thierry Fournier, Centre Pompidou, Fort Lagarde Prats de Mollo, Friche La Belle de Mai Marseille de 2011 \u00e0 2015<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Sous-ensemble<\/a>\r\n <\/div>\r\n
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Collaboration artistique, ing\u00e9nierie et r\u00e9gie de l’installation de Thierry Fournier, Renaissance Lille 2015<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"Thierry<\/a>\r\n <\/div>\r\n
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\r\n A+<\/a>\r\n <\/div>\r\n
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ing\u00e9nierie et r\u00e9gie de l’installation de Thierry Fournier, Fantastic Lille 2012<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Conf\u00e9rences du dehors<\/a>\r\n <\/div>\r\n
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Ing\u00e9nierie pour la s\u00e9rie de performances cr\u00e9\u00e9es et commissari\u00e9es par Thierry Fournier, La Chartreuse CNES 2008<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Feedbackroom<\/a>\r\n <\/div>\r\n
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R\u00e9gie de l’installation interactive de Thierry Fournier, Ecole nationale sup\u00e9rieure d’art de Nancy 2007<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Open Source<\/a>\r\n <\/div>\r\n
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Collaboration artistique, ing\u00e9nierie et r\u00e9gie pour l’installation de Thierry Fournier, Pavillon de Monaco, Exposition internationale Saragosse 2008 et expositions ult\u00e9rieures<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Rappel<\/a>\r\n <\/div>\r\n
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Ing\u00e9nierie et d\u00e9veloppement informatique pour l’installation sonore interactive de Samuel Bianchini, Villa Formose, Galerie de l’\u00c9cole sup\u00e9rieure des arts et de la communication, Pau 2005<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Reanimation<\/a>\r\n <\/div>\r\n
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Ing\u00e9nierie et r\u00e9gie pour la cr\u00e9ation sc\u00e9nique interactive pour danseur et spectateurs de Samuel Bianchini et Thierry Fournier, Ballet de Lorraine CCN, Nancy 2005<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Doro bibloc<\/a>\r\n <\/div>\r\n
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Ing\u00e9nierie d’une installation de Martin Le Chevallier, FIAC, 2003<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n Les Paravents<\/a>\r\n <\/div>\r\n
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Assistant, r\u00e9gie son et interpr\u00e9tation musicale live de la cr\u00e9ation sonore de Thierry Fournier pour la pi\u00e8ce de Jean Genet mise en sc\u00e8ne par Fr\u00e9d\u00e9ric Fisbach : Le Quartz, Brest ; Th\u00e9\u00e2tre de la Colline, Paris ; Setagaya Theater, Tokyo, 2003, Festival d’Avignon 2008<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
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\r\n L’Ombre d’un doute<\/a>\r\n <\/div>\r\n
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Collaboration artistique et ing\u00e9nierie de l’installation de Thierry Fournier, Mus\u00e9um d’histoire naturelle de Lyon, 2003<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n \"\"<\/a>\r\n <\/div>\r\n
\r\n 0 Response<\/a>\r\n <\/div>\r\n
\r\n La Mue de l’Ange<\/a>\r\n <\/div>\r\n
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Assistant et r\u00e9gie g\u00e9n\u00e9rale pour la cr\u00e9ation sc\u00e9nique en r\u00e9seau de Isabelle Choini\u00e8re et Thierry Fournier, Th\u00e9\u00e2tre de la Ville, Montr\u00e9al 2000<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>","max_pages":1}